Part 2 of our interview with Game upon the release of 'The Documentary 2.' Watch as Game explores the difference between L.A. And New York rap, then and now. 11,670 Views 30 Comments. View credits, reviews, tracks and shop for the 2016 Collector's Edition CD release of The Documentary 2 / 2.5 on Discogs.
The discography of American rapper The Game consists of 8 studio albums, two compilation albums, 5 independent albums, two soundtrack albums, 14 mixtapes, 30 singles (including 11 as a featured artist) and 21 music videos. His music has been released on record labels Interscope Records, Geffen Records and DGC Records, along with subsidiaries Aftermath Entertainment and G-Unit Records, including independent record labels Get Low Recordz and Fast Life Music, Inc. Records which has released some of his independent material.
Chou no doku hana no kusari download. The Game's major label debut album, The Documentary, was released in January 2005 and it produced five singles, including the two US Billboard Hot 100 top five singles 'How We Do' and 'Hate It or Love It', with rapper 50 Cent in which both singles reached gold sales status. The other three singles include 'Westside Story' with rapper 50 Cent, 'Dreams' and 'Put You on the Game'. The album reached number one in the US, and shipped over 2.5 million copies and was certified double platinum by the Recording Industry Association of America (RIAA). After the album's release The Game was considered to be a driving force in reviving and bringing back the West Coast hip hop scene, which had been overshadowed by artists from the East and South. The Game was nominated for two 2006 Grammy Awards: Grammy Award for Best Rap Song and Grammy Award for Best Rap Performance by a Duo or Group for the hit single 'Hate It or Love It'.[1]
After The Game had a falling out from Aftermath Entertainment and G-Unit Records, he retained his deal with Interscope Records while merely swapping roofs with subsidiary, Geffen Records. The Game's second album, Doctor's Advocate, debuted at number one on the US Billboard 200 albums chart making it his second number one album in a row, also making it another commercial success with shipping just under 358,000 sales in its first week. Doctor's Advocate produced three singles 'It's Okay (One Blood)' with reggae singer Junior Reid, 'Let's Ride' and 'Wouldn't Get Far' with rapper Kanye West. The album was set out by The Game to prove that he was still able to make good music and be a successful artist as he did on The Documentary without the help of Dr. Dre or 50 Cent.
The Game's third album, LAX, went head to head with heavy metal band Slipknot's All Hope Is Gone on the Billboard 200, seeing that both albums where released on August 26, 2008, therefore both albums where competing for the number one spot on the Billboard 200 albums chart. LAX ended up debuting at Number two on the Billboard 200, at first it looked like LAX had debuted ahead of All Hope Is Gone by 13 copies, with such a close difference. Initially, Billboard published an article stating that The Game had secured the top spot with a margin of 13 units, in what was described as the 'closest race for number one since Nielsen SoundScan began tracking Data in 1991'.[2] Slipknot's labels Warner Music Group and Roadrunner Records asked for a soundscan recount, a historic first. Nielsen proceeded to the recount, which placed LAX at number two with 238,382 copies, and Slipknot in first position with 239,516 copies scanned, a margin of 1,134 copies. After the recount 12 hours later, the article was rewritten and Slipknot was awarded the number one spot, having sold 239,516 units.[2]LAX produced four singles 'Game's Pain' with R&B singer Keyshia Cole, 'Dope Boys' with Blink-182 drummer Travis Barker, 'My Life' with rapper Lil Wayne and 'Camera Phone' with R&B singer Ne-Yo.
AlbumsStudio albums
Independent albums
Compilation albums
Soundtrack albums
Mixtapes
SinglesAs lead artist
As featured artist
Other charted songs
Guest appearances
Production discography2008
2015
2016
Music videos
Notes
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External links
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Retrieved from 'https://en.wikipedia.org/w/index.php?title=The_Game_discography&oldid=896106748'
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Hip-hop's rich, colorfully complex history makes it a supreme subject for a documentary. It has an arc, an unstoppable momentum that humbly sprouts from the streets of the Bronx, birthed from a hunger for a true sense of originality. It has its forefathers (Grand Wizard Theodore, Grandmaster Flash, and Melle Mel) and its ground breakers (Afrika Bambaataa, Doug E. Fresh, and N.W.A.). And yes, it has strife in spades, but it also has something pop music will never truly comprehend—community.
Any good hip-hop documentary addresses each of these integral elements with personal panache all its own, which is why, in our opinion, there can never be too many of them. Ice-T's new doc, Something from Nothing: The Art of Rap, which debuted last Friday, is the latest welcome addition, a film that revisits the golden age of the genre with its greats (Chuck D, Doug E. Fresh, Big Daddy Kane, Kool Moe Dee, and Grandmaster Caz) and uses conversations with its newer successors (KanyeWest, Eminem, and Nas) to scratch at an important question: How does America view rap music? Is it getting the respect it deserves?
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It's a quandary worth giving thought to, but before you set off trying to define what rap means to an entire nation, you should probably know why it means what it does to you. You should have your graffiti facts and your breaking history straight, and have a full spectrum view of what makes hip-hop music what it is and how it got there. Allow rap to reintroduce itself with our list of The25 Best Hip-Hop Documentaries.
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Written by Shanté Cosme (@ShanteCosme)
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